Review: Gone, Baby, Gone

Gone, Baby, Gone
Gone, Baby, Gone by Dennis Lehane

My rating: 5 of 5 stars

Gone, Baby, Gone is the fourth of Dennis Lehane’s series with PIs Patrick Kenzie and Angela Gennero. Fourth, and so far, arguably, the best.

While the story took me a good 50 pages to get into, once Patrick and Angie take the case, that of a missing child, the emotional stakes skyrocket for both reader and characters. And it just never stops. There are more twists and turns to this plot than an dirt road winding through a treacherous ravine, but always the twists were logical, and always completely believable. At one point, I set the book down, thinking, “I have no idea how they’re going to make it out of this one.”

In Gone, Baby, Gone, our central characters’ strengths are given a generous hand, but so too are their flaws. Mistakes are made, good people falter, bad people triumph, and the reader is left trying to decide if justice was done; if the truth was worth holding up to the light. In fact, while he’s busy breaking his characters’ hearts, he’s breaking ours as well. The subject matter, the endemic neglect and abuse of children in America, hits everyone with the weight of a freight train, and none are left unscathed even if some are left standing. Lehane asks hard questions, and expects his reader to at least think of possibilities.

Yes, it’s a mystery. Yes, it’s a thriller. And yes, Gone, Baby, Gone is so much more. Read it. You’ll be glad you did.

Lehane just keeps getting better and better. I am in awe.

Review: A Drink Before the War

A Drink Before the War (Kenzie & Gennaro, #1)A Drink Before the War by Dennis Lehane

My rating: 4 of 5 stars

I think the Boston Sunday Globe said it best, “Harsh and chilling … an absolutely terrific story.”

This is the third Dennis Lehane story I’ve tucked away and I have to say, the man can write. I only put the book down to get some sleep, and finished it as soon as I could the next day. The story is solid, his characters deep and never dull, the locations as defined as his characters. And even if I was pretty sure how the ending would come out–and I was right–I still wanted to know Kenzie and Gennaro would get there.

This was written 15 years ago, and yeah, I know, I’m behind the times.  Happily, for a reader who doesn’t know much about the current Boston, the story has weathered very well.  I don’t know how much has changed locally in the better part of a generation, but the topics Lehane hits go well beyond local, and well beyond our own neighborhoods, and they still seem as rampant today as they ever were.

I’m looking forward to Kenzie and Gennaro’s next case, which I’m going to start … right about now.  Time for some more of Mr. Lehane’s excellent storytelling.

Has anyone else on my FL read much of Lehane?  If so, what did you think of him?  If you haven’t, what has stopped you from reading his work?

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Review: The Treatment

The TreatmentThe Treatment by Mo Hayder

My rating: 3 of 5 stars

Mo Hayder’s book, The Treatment is the second in her series with DI Jack Caffery, and shows Ms. Hayder’s growing command of the procedural thriller. Technically? This book is an incredible example of its genre. The story is tight, interwoven, complex and incredibly compelling.

It’s also incredibly brutal.

I only made it halfway through the book before I had to call it quits. I was so caught up in the story, even with tensely anticipating how much worse it could get for both present and past crimes–and yes, situations COULD get worse, and often do in her books–that Hayder’s storytelling continually sucked me back in. Eventually, though, I found the crimes depicted were so heinous and the suffering of the victims so drawn out, that I put the book down. Did I want to know if the victims made it out? Yes, because in the world of DI Caffery, there’s no guarantee that good, or even justice, prevails or that anyone makes it out alive. Even so, I didn’t want to steep my brain in the torment of the victims for another 150 pages before some sort of resolution might occur. I consider myself fairly hard-core when it comes to murder in crime novels. With this one, though, my wallowing in torment reached its limit.

The three stars reflects me having to put it down, but for sheer effectiveness in writing, for the ability to make you care for the victims–and even for the enormously flawed Caffery himself–I wish I could have given Mo Hayder’s The Treatment the full five stars. The female characters are extraordinary strong and strongly-written–victims, cops, girlfriends–and that’s always a bonus for me in the male-dominated cop-thriller genre (or any genre, for that matter). Also, Hayder’s themes of family, individual bravery, and the stranglehold of personal history are rich and compelling. They simply weren’t enough to get me through the rest of the torment-steeped pages.

The novel is phenomenally well done, and maybe someday, when I don’t find my buttons pushed, I’ll read the second half of The Treatment.  I’d love to find out what happens, and how deep into the abyss Jack Caffery has to descend before he and the victims find a way out.

… unless everyone ends up dead.

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Review: Gone

GoneGone by Mo Hayder

My rating: 5 of 5 stars

Gone, by Mo Hayder, is the fifth book in a series featuring Bristol DI Jack Cafferty, and the first of hers I read. Despite four books of back story, I felt no lack or loss for jumping in at the wrong end, as Hayder gave just enough relevant information to offer a bit of depth and context without flogging a reader with past events.

This book is a harrowing journey down a swift river, and there were several times I got off the ride only to jump back on as soon as I could. Hayder’s villain is given a slow reveal, crafted of skillful slight-of-hand and an accumulation of small tells. The danger is real and ever-present, and she never, ever gives you a guarantee of who is going to make it home at the end of the day.

Gone hooked me so thoroughly that I immediately started on Hayder’s first book in the series, Birdman. Comparing the two shows just how far Hayder has come as a writer, and how effortless her prose now seems to be. I plunged through Gone because I felt I must. Not knowing  the ending was unthinkable.

If you like police procedurals and thrillers, British or otherwise, read Gone. But make sure you have an open weekend to do so, because you won’t want to put it down.

Review: Birdman


Birdman by Mo Hayder

My rating: 4 of 5 stars

Mo Hayder, as many reviewers pointed out, is not one to shy away from a high body count, nor to make her characters go through the wringer. AWESOME! This procedural thriller is not for the fair or faint-hearted, but for those who want their crime gritty, their heroes flawed and their plots deep and interwoven, Ms. Hayder is the writer for you.

The only reason I didn’t give this 5/5 stars is because I felt that one of the deaths was there for the shock value rather than plot furthering. Still, it’s close, and I gobbled this thriller up with a spoon.

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